Showing posts with label interviews. Show all posts
Showing posts with label interviews. Show all posts

Wednesday, February 13, 2013

Next Big Thing

My dear former professor and friend in poetry (and disc golf!) Mark Neely (his newest book, Beast of the Hill, is sooooo awesome) was tagged for “The Next Big Thing,” a self-interview for writers with recent or forthcoming books. Then Mark tagged me to answer some questions about my next chapbook.


What is the working title of the book?

48 Pornos


Where did the idea come from for the book?

I was writing this whole series of short prose poems/monologues that all started "Get this:..." and a bunch of them ended up being porno-esque, so I jogged around with that. I wrote nearly 400 of the "Get this:" pieces, 150(ish) of which ended up being "pornos." 48 of them seem to "twinkle" enough to fit into this mss.


What genre does your book fall under?

Pornos!


What actors would you choose to play the part of your characters in a movie rendition?

Depending on the "porno," of course, but some good fits would be: James Deen, a Garth Brooks look-a-like, Lisa Ann, some guy that owns a lighning bolt costume, and Lethal Lipps. Oh and the Statue of Liberty would play herself.


What is the one sentence synopsis of your book?

It's me pitching a bunch of porno ideas to an experimental, up-and-coming director.


How long did it take you to write the first draft of the manuscript?

I wrote the whole "Get this:" series in the course of a couple months, then I cut it down to about 200 over the course of a couple weeks, then I pulled out the "pornos," and worked on/added more of those for another couple of weeks. All in all, let's say 3-4 months?


Who or what inspired you to write this book?
First stage: The "Get this" series started as a Twitter series. People seemed to like them.
Second stage: I saw a contest advertised on The Rumpus for writing pornos. I started texting ideas to my girlfriend, Layne.
Third stage: I sent a few to my movie-making (not of the porno variety...YET) friend Dave, and he was super stoked about them.
Fourth stage: As I started getting more and more of them, I kept thinking of Safety Third Enterprises. Leader of that pack Matt is a fearless dude, totally into whatever literature gets him psyched, no rules. I knew of only one place I wanted to send it.
Fifth stage: Matt got psyched on the book!


What else about your book might pique the reader’s interest?

STE will turn this thing in a totally beautiful object. The cover will be silk-screened. The pages will be mighty crisp. The whole thing will be wrapped up like a present. Oh and there will be a postcard of me naked (censored a bit, of course, sorry) taped to the front. 

Here's an example porno:

Get this: A milf rubs two dildos together and nothing happens. The video lasts for over an hour.


Will your book be self-published or represented by an agency?

Safety Third Enterprises is gonna textually broadcast this thing out in August.


My tagged writers for next Wednesday are:
Layne Ransom
Jayne O'Connor 
Dave Mcdermand

Saturday, November 3, 2012

PLOP PLOP LIT PLOP

It is no secret that I'm a Dean Young yahoo. This interview with him is wow. 

Narrative is a baggy concept. It accommodates anything from a baseball box score to the Iliad. Might it be possible we employ the term for any sequence of events that occur through time that seem to have some sort of relationship, a causal relationship even? Our language, albeit in spite of the Futurist attempt at words-at-liberty, makes a sequential sense—syntax is time passing so we could say any sentence or group of sentences is to some extent a narrative. Which pretty much makes the term useless. As divergent as my poetic practice is, I try to be alert to possible strains within drafts that signal modes of connection. For me those modes of connection certainly don’t need to be rational, logical, plotted, or telling a story. But any signal whatsoever I try to attend to and see as an opportunity, so sometimes I do end up using threads of traditional narrative, the scaffolding of story that can establish a stability, an endoskeleton. We could say that there is a narrative to these three words: brick, blood-drop, red feather which entails the passage from inert material to mortal flesh to a sort of avian/angelic possibility or we could say that what holds those things together is their redness. I try to be alert to as many possibilities of connectedness as I can simultaneously, even if one may undermine the authority of another. 

My top pal/mentor Todd McKinney has two poems up at the new and stellar Split Lip Magazine.

Very stoked for Wendy Xu's first book (not to mention that collab chapbook with my buddy Sturm). Cool to hear her talk about po-po and such.

I think language is always waiting patiently on us to engage it, to play with it and arrange its parts, to build something weird out of it, but the hardest time to stop and think to do this is any space outside of poems. To “negotiate” with a poem is right--it says things, you say something back, you say YES! or you say OH NO, but the two of you build the complete experience together. I always like when part of a poem’s contribution to the negotiation is a pseudo-“normal” syntax, if it seems aware and proud of its glitch, and if it wants to subvert my normalized expectations at every turn.
I have a poem "How Many Years" in the new nap magazine.



Thursday, March 29, 2012

Bunch Of Pals Asking Me Questions: Part 1

1. Have you always been stoked? What was the first thing you were stoked about? - Mark Neely

I’ve always felt this often-overwhelming appreciation/joy/rattling about the art and people and moments that “touch” me. Like weirdo life does, it has evolved. As a kid, I didn’t really know how to deal with it or what it meant, so I yapped and yapped about everything, sports and girls and trapper keeps and hair gel, but mostly about myself. As a teenager, I started listening to/hanging out with this local band, Away With Vega, and their lead singer, Zack Melton, who was about four years older than me, through girl troubles and school distractions and etcetera, would unleash at shows, dance around, flap his arms, boogie in the parking lot to Hall and Oates. And that was when I started letting my stoked-ness out, when I realized that was cool and okay and fun. When I like (here meaning really like it, feel it in the gut, can’t shake it) something, I holler. When I like something, I get on the interwebs and tell someone. When I like something, I throw dollars at it. Because a lot of my life is fogged by depression, shaded by social anxiety, lost in my own selfishness, being stoked is my defense mechanism, my way of being a normal loving human being.

The first thing I remember being stoked about was when I found an Ultimate Warrior action figure. I don’t remember my age. I was in elementary school, I think. It was at the Indy Toys R Us. I was shaking it above my head and going WOOT WOOT and my mom was like I’M NOT WAITING ON YOU ANYMORE and gave me twenty bux and waited in the car.

2. What is your writing process? - Jim Chambers

It is something like this:

- I’m not good at going from blank page to full draft. I start with a cluster of words. Example include: I’ll do an erasure of a blog post that I really liked, I’ll take some phrases from my phone that I’ve typed in an ongoing Note of possible lines, I’ll do a sestina, etc. A lot of this starting material eventually gets edited out or changed, but it gives me a place to start. Most of the clustering is done on my phone or on paper. About half of my drafting is done on paper. The other half is done on the computer.

- Most of my poems, especially in this book, have been through 6-10 drafts, the earlier ones being major revisions and changes, the later ones being tightening of language, word choice, that type of stuff. I typically edit on the computer, though I used to be that dude with a stack of printed poems, scribbling edits on the bus.

- A big part of my process is exchanging with trusted friends and writers. These include (and are not limited to) Layne Ransom, Laura Straub, Diana Salier, Christopher Newgent, Mike Krutel, and Todd McKinney. I never send first or second, usually not even third drafts, to these people. This is like the step right before I’m thinking of sending the poems to a journal, unless a special case arises. This is vital for me.

- Revising never really stops for me. I still edit poems from my first chapbooks.

3. You leave your book in three places. What are those places and who do you hope finds them?- Layne Ransom

1. In a random mailbox; the owner of that mailbox.

2. In a disc golf basket; some rad golfer who just hit his/her first ace.

3. My urn; some nice person who is interested in how my ashes are doing.

4. Was there a defining moment in your life when you knew you had to write or have you always been a writer? - Laura Straub

AND

I find origin stories fascinating. Growing up in small town Indiana, how did you come to writing poetry? - Christopher Newgent

I didn’t read a book, like engage with a book, care about a book, until I was 16. It was The Great Gatsby. (And though I love the book still, I have no clue how that was the book!) From there, I read more classics, then read some contemporary stuff that intrigued me in my late teen years like Eggers and Klosterman (Also, this journal-type book by the sports talker Mike Greenberg called Why My Wife Thinks I'm An Idiot had a strange effect on me. I remember that was the first moment I cared about other people expressing themselves.), then I found the BSU Writers Community my freshman year of college and it has been all rolling up and down a stupid hill since then. Defining moment: I’d say when Todd McKinney read a Dean Young poem at Writers Community. It was the magical experience of community and energy and discovery. Writing made sense as a contemporary living thing after that moment.

5. Where do babies come from? - Ryan Rader

Go ask your mother.

6. If your book were a song what would it sound like? Who would play it? - Layne Ransom

I’ve actually been thinking lately, after hearing Matt Hart’s band Travel’s new album (which comes with his new book) (which puts a bunch of his poems to songs), that I’d love to try this with some of my poems.

Problem is: I don’t know how to make music.

Solution: I have some talented music friends.

Dream friend backing band: Ryan Rader, bass; Cody Davis, drums; Christopher Newgent, guitar; Frank Schweikhardt, guitar; Layne Ransom, keys; Nick Teaford, anything he wants as long as he’s a part of it.

Sound: My goal would probably be like part State Champion (the start/stop pulse), part Cap’n Jazz (the wackiness), and part In The Face of War (the spirit, man, the energy).

Even talking in this Word Doc about this makes me overwhelmed with anxiety and regret. The biggest regret of my teenage years is not learning an instrument. The people I listed above are such for real artists, in my mind. I don’t know if I could handle it.

7. If you were a cocktail, what would you be? - Laura Straub

8. Do you ever think about names for your hypothetical children? And what are they? - Ryan Rader

You know, the whole 2ish years I was married, I never really thought about or wanted kids. We did have names picked out (girl: Kaylee Sue—combo of our middle names + both of our moms’ middle names) (boy: Zachary Evan—my best friend’s name + a name we both thought was neat). Now, I think about kids constantly, probably because I’m around them all day, probably because I wanna go back back back. Names now: (girl: Maggie Sue) (boy: Abraham Evan). Those first names are built for camping and riding bicycles and being read poems and living in a cabin. We should all be so lucky.

10. When will there be daily meetings about you? - Ashley Farmer

That is a freaking question! It should be soon, as much as I’ve been hollering, as much of a mess as I’ve been making. On a hospital bed with my arm inches out of socket, I thought the next day they’d start. The last time I told a human I loved them, but not myself, I thought it’d start. The last time I flew a kite with 27 first graders and I was the one who refused to go inside, I thought it’d start. But that’s all a bunch of boo-ha-ha anyways. Imagine the cost of such operations, tremendous!

11. What is Your Favorite Painting Tonight? - Ashley Farmer

Most previous nights, I'd say Number 1, 1950 (Lavender Mist) by Pollock, that wild emotional mess. I stood in front of that thing with my ex-wife, then girlfriend, and we both said WOW. That was a good word then.

Now, though, Tonight, as you say, I'd say, every 8.5x11 white construction paper sheet doused and dripped and rubbed with water color pictures of flowers that my kids made today, hanging from yarn and paper clips around the classroom. Some are blue tulips smiled on by the sun. Some are hunks. Some have hatchets centimeters from the stem. Some have red Xs where the artist wanted to quit but I wouldn't let them, wouldn't give them a new sheet. They are the most beautiful things I've ever seen created.

12. What do you think of these rising gas prices? - Laura Straub

It suxxxxxxxxxxxxx. I haven’t owned a vehicle for four and a half years. A month ago, I bought an S10 pickup. That first time I filled up, fifty bux, that sucked. Then, I remembered how much I spend per gallon of booze and I thought SHUT UP YOU IDIOT.




Thursday, September 22, 2011

I'm a poet?

I'm super stoked that Erik Fox decided to feature me today on Hoosiers Doing Something. He asked me some awesome questions that I've never got to answer/think about before. CHECK IT OUT PALS.

Wednesday, August 17, 2011

It sticks out, oh yes it does.

Riley Michael Parker and Frances E. Dinger are awesome editors at the sweet sweet HOUSEFIRE PUBLISHING. They interviewed me. Here it is. The new website is slick and I love the way this thing is going.

Thursday, September 30, 2010

BOOM BOOM BOOM

@) The Collagist blog, CHECK OUT THE NEW DESIGN BY THE WAY, holds three interviews that I did with some cool poets: Nick Ripatrazone Alexander Lumans and Erin Lyndal Martin.

&) The reading went well. I didn't get booed; I didn't cry. That's always good. The others read some cool stuff for real. Sorry missed it. Also, last night was the Writers Community Faculty Panel, and that was informative, helpful, and fun. Thanks people if you are good people.

#) I'm getting spooky.

Tuesday, August 31, 2010

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